Articles :

Picture This: Le Violon d’Ingres - The Oxford Student (29.08.2025)

Picture This: American Girl in Italy - The Oxford Student (29.08.2025)

Nightmare Alley: Proof that Film Noir should make a comeback and that it won’t - The Oxford Student (02.07.2025)

Mad Men: A 10th Anniversary Retrospective - The Oxford Student (01.08.2025)

In Defense of the Dying Art of Letter Writing - The Oxford Student (01.07.2025)

Robert Eggers’s The Northman: A Critique of Toxic Masculinity - The Oxford Student (15.06.2025)

Why Impressionism Continues to Enthrall our Generation - The Oxford Student (14.06.2025)

The Journal of a Chaimbermaid: The Greatest Novel you have Never Heard About - The Cherwell (12.06.2025)

The SS United States: Scuttling the Past - The Oxford Student (09.06.2025)

Silent Films, an Antidote to Streaming Era Storytelling - The Oxford Student (02.06.2025)

Sally Rooney, a Flaubert for today? - The Cherwell (01.06.2025)

Lee, Civil War and the Importance of not Looking Away - The Oxford Student (01.06.2025)

Gregory Crewdson: How to Remain Relevant in the World of Fine Art Photography - The Cherwell (28.05.2025)

Film Photography: How I went from Believer to Skeptic - The Cherwell (28.05.2025)

Interviews:

In Conversation with Germany’s Greatest Political Satirist: Oliver Welke - The Oxford Student (26.07.2025)

Reviews :

The Hunger Games: Sunrise on the Reaping in Review - The Oxford Student (03.07.2025)

Good One (2024): A Review - The Oxford Student (21.06.2025)

The Studio (2025): A Review - The Oxford Student (12.06.2025)

The Phoenician Scheme (2025): A Review - The Oxford Student (03.06.2025)

Warfare (2025): A Review - The Oxford Student (28.05.2025)

The Return (2024): A Review - The Oxford Student (26.05.2025)